Tag: Writing Life

An Intermission

So, a couple of changes will be coming up in the near future. I’ve got some things in the works, so there will be some things changing priority.

This will be the last scheduled “Blog Post” for a while. I feel like I don’t have enough happening with my writing/publishing journey to justify having a super regular post. I get anxious about repeating ideas or reposting old blog posts. This means the first Sunday of the month will no longer be regular posts. When ideas come up, I’ll probably create a blog post, but I’m running out of ideas to keep up with a monthly Non-Fiction post. I’ll continue doing monthly fiction, both as a way to keep the blog active and give myself the motivation to keep writing even when I run out of ideas. I’m hoping that having this be the primary focus of my time outside of work will mean more quality writing to continue providing to you for free.

Secondly, like many other people, I’ll be closing down my Twitter. I no longer use it and it’s frankly not really bringing in a ton of traffic. If you only follow me there, please consider signing up for my newsletter or following my page on Facebook!

Piecing Together

Every writer–no matter where they are in their writing journey–has a Trunk Book. It’s a story you started when you weren’t ready and had to give up. A story you wrote that never quite came together or a series of ideas you didn’t know how to connect beyond a few scenes and a loose plot. Maybe time got the better of you, or a busy schedule determined that your story would be put on hold, or perhaps you just lost steam about it and moved on to another idea. The Lost Characters, the Abandoned Quests, and the Snippets of Dialogue that you loved all linger together in the bottom of a trunk: digital, physical, or mental.

Personally, I have a particular file on my computer that I call the Graveyard: projects that didn’t quite pan out, short things I wrote in high school, and things that just never settled quite right for whatever reason. Sometimes, like a literary corpse snatcher, I go back to old projects and do a bit of grave robbing to piece together old ideas into something new. I have found myself revisiting this folder a lot recently.

The question that hits me again and again is “What needs to be fixed?” before I can do anything with it. Is it the tone of the story? Does a character not have enough motivation or do their actions seem inconsistent? Who or what would be needed to drive the story forward and what is stagnant that doesn’t seem to fit the pace? Answering these questions help me decide what to do with these old cadavers of story. Some stay in the Graveyard to age a bit, but some seem ripe enough to try and resurrect.

I am, admittedly, guilty of Email Writing a Novel. While working desk jobs–stuck behind a computer with shifting workflow–I would often send emails to myself. When an idea hit me that was remotely more interesting than another spreadsheet or company email, I would email my personal email what was on my mind. Trapped behind a desk, I built gateways to my own adventures. I uncovered an old email thread I had written and decided to tackle it again.

The most important thing about Graveyards or Trunk Books is that it doesn’t destroy things that didn’t work at the time. It saves them so they can percolate in a safe place without constantly trying to fix what’s broken. The most important part of writing is–unsurprisingly–writing. If you’re stuck in a Trunk Book, sometimes it’s healthy to set it aside until you’re ready to stitch together a new monster. Hopefully, your results will be more beneficial than Dr. Frankenstein’s body building.

Expert Insight

I have recently been doing some job shadowing. I’m looking to find work that is fulfilling and gratifying in a similar way to writing while still allowing time for it. Talking with people I know who are well-versed in their fields has gotten me thinking about one of the most important aspects of researching for writing: Experts.

Whether you’re writing non-fiction that is purely factual or a fantasy just barely clinging to aspects of our reality, having the correct view of things is essential to making your writing more realistic. I keep an active list of people I consider experts in everything. Whether they’re long-time professionals or experienced hobbyists, I like to keep track of what my friends consider themselves experts in. An element of realism is important so the audience of a story feels connected. I have friends who are photographers, veterinarians, horse handlers, gardeners, and crafters of all sorts. If I ever decide to include elements of these in a story, I find it better to research on my own and ask questions of these experts in my life.

Shadowing also gives an opportunity to collect important sensory details. All the information in the world is fantastic to bring reality to your writing, but it is equally as crucial to get your reader into the place you’re experiencing. I’ve started keeping a small notebook with me to write down sensory experiences in places I visit. The smell of a horse barn, the sounds of the forest, the feel of soft soil in one’s hands, and the visuals of an active surgery are all fantastic ways to add reality to your writing. Humans are naturally observant, even if we aren’t consciously doing it. Think of somewhere you go every day: your office, your favorite coffee shop, your friend’s house. What do you see when you think of it? What sounds do you associate with it? Any smells that come to mind? Imagine that level of detail in your writing, not just creating a visual snapshot, but adding more realism to the reality you created.

Try writing a description of a room that you’re in without being there (using as many of your senses as possible). Read your description later. What did you include? What did you leave out? Rewrite it again and revisit it in a month. When you can start to create a vivid picture of this place, start doing it with other places.

Now, see if you have a friend who you consider an expert. Ask them over for coffee or a drink and ask them about their expertise! People love talking about things they love, so use this as an opportunity to become a mini-expert in a new field! Learn something new and try writing about their day. Now try working it into a narrative! You’ll find that you can create more realistic worlds in arenas you were previously a novice at. It doesn’t have to be technically perfect, but it can appear very real!

New Beginnings

Here we are again! Another year in which we try to find ways to improve ourselves across the spectrum. New skills to learn, new commitments to ourselves, and new beginnings to the year. Sometimes, they see us through to the end of the year; other times, not so much. Either way, I think it’s healthy to look back on the year and try to figure out where we can use improvement or even just to take stock and see if we’re where we want to be in our lives. The last few years have certainly been full of challenges and changes, but also a lot of things that have improved us (or perhaps are still in the course of improving us). Whatever the circumstances, I always like to try and put some goals down in order to fully take advantage of the year, especially when it comes to my writing. So, here are my Writer’s Resolutions for 2023:

Write for 1 Hour Every Day: I have, admittedly, slipped a little bit in the past few months. I’ve gone through some pretty drastic changes in my work life and part of me is still recovering from the ricochet of all that. Still, going into 2023, I’m feeling more comfortable about that situation and I’m ready to start committing my time more intentionally. I want to get back to writing at the same interval every day. My old schedule doesn’t quite fit with my new routine, but I’m trying to carve out time to work on my writing more diligently and keep that consistent every day (the easiest way to form a habit is repetition). I want to make that time sacred and keep to it as much as I would to any work schedule.

Submit Once A Week: The easiest way to win at poker is when you’re holding all the cards. Granted, that’s not how poker is supposed to be played, but the metaphor stands. I want to regularly and diligently query my novel and submit my short fiction to magazines, etc. I blame this falling off on a number of factors, but won’t go into that. The point is, I need to do more to get my work seen and read if I want it to go anywhere. So I want to submit more of what I write rather than let it simmer in my hard drive while running off of hope. You can only win if you play.

Find a Writing Group: This one is one I should have done a while ago, but with the state of things when I moved back, it got more and more difficult to make that happen. I would like to find a group of individuals who also write. This would be partly to talk shop, but also to share victories and commiserate on the challenges. Writing classes and workshops are great to work on your craft, but there’s the emotional aspect of things that a lot of non-writers don’t fully appreciate. Having that built-in support network of people who are also working on telling stories would be a tremendous help to getting that social aspect of writing life back on track.

So, there you have it. Three, solid, actionable goals for 2023. It will require some discipline on my part, but I think there’s a way to make it all come together in the end. More goals will probably come up as the year progresses, but there’s never a bad time to start thinking ahead and getting things in order. Do you have any goals for the coming year?

The Sound of Rushing Deadlines

Douglas Adams once said “I love deadlines. I like the whooshing sound they make as they fly by.” This sentiment feels no truer than when you first try to tackle a large project in a designated timeframe. And so, once again, we find ourselves nearly a week into Nanowrimo (or National Novel Writing Month, for those who aren’t in the know). For many, it’s a first foray into the world of intensive novel writing. For others, it’s a familiar kick in the pants to deal with the project they’ve been putting off doing (present company included). As such, I feel it’s important to discuss how to handle writing deadlines without wanting to pull all your hair out. As the days wind down to the final day of November, 

  1. Small chunks
    50,000 words sounds like a lot because it is! Can you think of 50,000 of anything you have on hand? Maybe you have a massive coin collection, or a hearty storage of raisins, or maybe just a bunch of small, pretty rocks. Regardless, picturing 50,000 of any of these things really puts the number into perspective! It is, after all, the minimum word count for a standard novel (and it’s not National Short Story Writing Month–that’s in May). 2,000 of something, however, is a bit more manageable to picture. 2,000 pennies is more than a handful, but you can still count them out with an end in sight. Making your goal something manageable by the deadline is a much easier–and healthier–way of looking at it. Spread it out into smaller chunks and you’ll feel a little less like you’re drowning in word debt. 
  2. Find a Partner
    Accountability is 9/10ths of the battle! It’s easy to tell yourself that you will catch up soon, but can you look in the eyes of a trusted friend and lie to them the same way? Better yet, you and a friend can have Writing Blocks together! I do these with friends from time to time. Often, we’ll do them with fairly low stakes involved (usually an admission of failure over social media or something similar). Working alone together makes the process feel a bit less isolated when you’re working your way through a particularly challenging writing slog. Furthermore, having someone to work with gives you someone to bounce ideas off of during breaks (or even just talking about what you want to have happen next to think about how to get there). 
  3. Keep a Schedule 
    Know thyself! If you know that coming home from work or school leaves you exhausted and vegetative, find a better time to write. I loved having lunchbreak writing sessions, but I also have an appreciation for the quiet mornings with just my words and a cup of hot tea. Additionally, setting aside time to think about your story can save time when you’re at your manuscript. Everyone knows your best ideas come when you’re not working on a thing, so keep a small notebook and spend some time to think through novel problems (in the shower, commuting, cooking, exercising or anywhere else you can spare a few brain cells to mull over your plot). Then, refer to your notebook during your designated writing time! Spend less time thinking about what you’re going to write and just put it to the page! 
  4. It’s OK to Play Catch Up
    An important thing to remember is that life happens. Doctor’s appointments show up. Work gets overwhelming. Time spent recovering is as valuable as time spent working. All that is to say, it’s OK to fall behind. You can settle in on a day off and really commit to playing some catch up. As daunting as, say 6,000 words may look at first, if you give yourself a good block of time to work it out, you can get into the grove and tackle it all at once. Your small chunks might not be the smallest at times, but if you can put aside a day to work on it, you’ll get there in no time. You don’t want to save it all for the last minute, but things pop up in life. 
  5. You’re Allowed to Change Deadlines
    OK, this is really only true if you have the luxury of setting your own deadlines, but sometimes you need to extend deadlines. With Nanowrimo especially, goals change. Maybe your 50,000 word story is gonna need to be 60,000…or 100,000! 50,000 words in 30 days is really just the first goal. It can be–and is–a flexible thing that changes as time goes on. Don’t restrain yourself to just 50,000 words or just 30 days if you think you can improve with more words and more time! The challenge isn’t set in stone. 

Nanowrimo is often a great kick in the pants for starting (or finishing) a project you’ve had rattling around in your brain for a while. If it’s your first, third, or five hundredth time trying to hit a big deadline like this, it’s meant to be for fun! Write your story as best you can and when you do, prepare yourself for NanoWriMoEdYe (National Novel Writing Month Editing Year (or years)). 

Bookish Movies

Working in a library, I often find myself asking “The Book or The Movie?” more often than other other arena. With my friends I can usually tell if they mean the movie or the book, but working in a library has made me realize just how many movies based on books or writing there really are. I’ve started getting into the habit of borrowing one book related movie for every other kind of movie I borrow. I’ve decided that any book or writing related movie can be put into one of three categories.

  1. Adaptations:
    These are the most common ones that come up. This is basically any movie that has a book or written version of it somewhere. Increasingly, the trend seems to be for Hollywood to make movie adaptations of books (and even short stories) rather than taking a risk on a story that has no previous following. These are probably the most popular version of Bookish-Movie: Jurassic Park, IT, Ready Player One, or any number of YA trilogies that make the bestseller list.
    Now, naturally, just because they’re popular doesn’t mean they’re necessarily good. These days, every fan of the book approaches even the trailer of a book adaptation with a certain amount of cautious hope. The true test is often how ‘faithful’ the book is to the movie. Major plot overhauls, forgotten characters or overlooked thematic elements, or movies that only take the title and not much else. Sometimes, regardless of an authors involvement, the ‘faithfulness’ of the movie comes down to the studios. These are the most accessible, but also most prone to disappointment.
  2. Books about Writers:
    These are stories where a writer is the main character. Rather than a biopic (discussed next), this tends to focus specifically on the writer and their struggles with the creative process. There can be a lot of crossover in this regard (writers seem to enjoy making their characters writers, since it’s something they understand). The Words is a good example of this, focusing on a writer’s struggle to be seen by the publishing industry and the risks he’s willing to take to ‘make it’.
    These are often overdramatized. No one would want to watch a man struggling in front of his computer for two hours, trying to figure out how to make a paragraph flow better. Still, these can sometimes be uplifting movies when an author gets to take his work to the world and they get recognition they deserve.
  3. Author Biopics:
    The last category is movies about specific writers. These are movies that can be hyper realistic documentaries, like Salinger, or they can be dramatized versions of an author’s life, such as Tolkien. These can be sad at times, seeing all the struggles a person goes through (especially dramatized for Hollywood) can be difficult. Still, learning the histories of writers and seeing how it relates to their writing can be interesting. In addition to the story of the author, these movies also tend to reveal a lot of the story of the book. Knowing the lives of our favorite creators can help us appreciate their stories even more.

What are some of your favorite bookish movies?

The Hunt for an Agent Author

Well, here we are again. Once more, I’m at the starting line for a query letter. Definitely a lot of emotions coming up around this experience, but I know I need to do it. I wanted to talk a little bit about the agent hunting process of trying to find someone who you think will be a good fit for your work.

If the act of writing is pure creation, then the process of finding an agent is like an endless job hunt. The tried and true method is the query letter that you’ll send to agents before sending them a full manuscript. The point of a query letter is similar to a cover letter or resume. It tells the agent a bit about who you are, what your project is about, and why they should read your story. It helps to include books that are like yours, but I always have to rattle my brain to remember any books I’ve read.

It’s daunting in some ways, but like anything, it gets easier with practice and time. I’ve learned to develop a kind of ‘It Is What It Is” mentality when getting rejections from agents, but it’s never a fun thing. Due to the sheer volume, form letters are pretty common responses and they’re never very detailed. Still, I try to approach submitting like a gamble that improves your odds with more entries. The more queries you send out the more likely someone will take an interest in your project. It’s a numbers game and no one really likes those games. Still, there’s always that magical one.

Query writing could easily be an entire semester’s worth of college courses and there’s no formula to do it. Even if there was a formula, agents would no doubt hate the formula after reading seventeen a day. Trying to make yourself stand out isn’t easy, but it’s a worthwhile endeavor in the end. I try to think of it as writing it for a friend and that lessens the pressure a bit. Still, it’s intimidating to feel like you’re presenting yourself to a gatekeeper towards publication. All that can be done is write, rinse, and repeat.

What’s your experience with query letters? Is it something you ever learned how to do or wanted to do?

The Mini-Writing Retreat

For the last few months, I’ve been trying to think of ways to go on a writing retreat. It sounds quite appealing: arrive at a picturesque location, enjoy some shop talk with other storytellers, maybe hear an inspiring lecture, then buckle down with some well-deserved writing time! Whether it’s three days, a week, or more, the prospect of being in a self-imposed creative exile certainly sounds like the path of a true artist. Sadly, that’s not always available. Even three days is a long time when you don’t have the resources. Even if you can sacrifice a whole weekend for a writing retreat, you still might feel compelled to do errands, not to mention that you’d have to be able to easily seclude yourself from the day-to-day if you can’t afford to physically distance yourself from the distractions you love. These past few weekends, I started doing Mini-Writing Retreats. While the romantic notion of going away for weeks at a time locked in the struggles of creating is not feasible for me at the moment, I can usually find an open day in my weekly schedule. So, I’ve started committing myself to my writing time again. If you’re interested in creating a Mini-Writing Retreat for yourself, here’s how mine usually goes down.  

Before: The days before I like to take care of things like food shopping, cleaning, and other little chores that might distract me. If I have the time to make a few meals I’ll do that and make sure the dishwasher is empty. Nothing throws off your rhythm like the temptation of something you “have to get done.” Plan out your meals and a couple of snacks so you don’t drift over to the fridge every five minutes to browse (and if you’re like me, grab something sweet to look forward to at the end of the day). Prepare to go social media dark for the day of, to ensure that all your distractions are limited, if not completely gone! 

Day of:
5:30- Wake up. I know some of you are already rolling your eyes, but trust me. The silence of the very early morning is the best time to get in the mindset. Make yourself a pot of tea or coffee, make some breakfast (not just cereal), and enjoy a bit of relaxation before the retreat truly begins.  

6:00-8:00- Writing. Recently, I’ve been doing a lot of editing, but commit some time to your work in progress. Actual work, not just mood boards or Spotify playlists. Put on some meditative music or something else instrumental to help set the writing mood if that helps.  

8:00-9:30- Break and Walk. I like to get some steps in and let my brain work out any story problems I might encounter in those first hours’ worth of work. There’s a trail near my apartment that takes a little over an hour to make a loop of, so I’ll do that followed by a shower and getting dressed in real clothes (sweatpants are only acceptable for so long, even if you don’t plan to leave the house).  

9:30-1:00 Writing. Get back to it! This is why you’re here!  

1:00-2:00 Lunch. Break out one of those premade meals and sit with it away from your writing space. Let your mind relax a bit and give yourself a proper lunch break. Some light reading is suggested or even a quick writing lecture on YouTube to further inspire you. Set a timer, though. Can’t fall too far down the black hole. 

2:00-5:00 Writing, writing, writing! 

5:00-5:30 dinner. Pop out another pre-made meal and give yourself a quick dinner break to mull over your last few story problems.  

5:30-7:00 Last Writing Sprint. Wrap up whatever you’re working on.  

I usually like to wind down afterward with a nice, sweet treat and a movie. After all, you just worked a full day!  Congratulate yourself on an excellent writing retreat and start thinking about when you’re gonna do your next!  Have you ever given yourself a Mini-Writing Retreat? Have you ever been on a professionally hosted writing retreat?  

The TBR

If you’re any kind of bookworm, you probably have a TBR Pile: The To Be Read Pile. The endless waterfall of books that you are going to read soon. Maybe it’s a list on your phone. Maybe it’s a section of your bookshelf. Maybe it’s a literal pile on your nightstand, looming overhead until you finally read a few to reduce the risk of the tower toppling over and smothering you in the night. Maybe your TBR Pile is all of your bookshelves.

You can probably guess which one is mine.

I’ve been in a bit of a reading slump these last couple of weeks, but I’m hoping to get back into the swing of reading regularly again. So, in the spirit of that, I decided that this time I’m gonna be posting some of my current TBR Pile to maybe keep me accountable to finally reading some of them! So, here’s a sampling of my current TBR Pile that I’m hoping to work through in the future.

  1. The Way of Kings – Brandon Sanders
  2. The Sword of Shannara – Terry Brooks
  3. The Lies of Locke Lamora – Scott Lynch
  4. Catch-22 – Joseph Heller
  5. What the Dog Saw – Malcolm Gladwell
  6. The Thousand Autumns of Jacob de Zoet – David Mitchell
  7. A Natural History of Dragons: A Memoir of Lady Trent – Marie Brennan
  8. Darwin’s Radio – Greg Bear
  9. The Aeronaut’s Winglass – Jim Butcher
  10. Armada – Ernest Cline

Alright, hopefully that’ll be some motivation for me to actually read through some of these! I’ve put a moratorium on buy new books until I get through some of my current ones, but I also work at a library, so getting my hands on those materials would be less challenging than it used to be (I’ve got my eye on Kaiju Preservation Society by Scalzi, but I’m holding off for right now).

What books are on your TBR Pile? Do you have a real pile near your bed or is your pile somewhere else?

The Lunch Break Novelist

When I was working for a court reporting company, I called myself a Lunch Break Novelist. Each day, on my breaks and lunch, I would eat quickly and the break out my laptop to get some writing done while on my lunch break. On a good day, I could polish off a solid 700 words that I was satisfied with before having to head back to my desk. I’d spend time first thing in the morning and pick up right where I left off on my lunch and again when I got home. Some days were better than others, but I was usually able to come up with something by the end of the day.

One thing I see a lot when I talk with non-writers is “I just don’t have the time” as a popular excuse. The reality is that there’s always time. Five minutes here, thirty minutes there, another twenty at the end of the day–it adds up quicker than a lot of people realize. Yes, every writer would love to have the experience of getting into the flow state and write thousands of words over the course of the day, but that almost never happens (even with all the time in the world).

As I transition into working more hours at the library, I’ve been working on finding the time through out the course of the day. I’ve been practicing the idea of “Showing Up” rather than making a scheduled commitment. Rather than over exerting myself to get to a word count every day, I’ve been trying to get more into the mind set of putting time to it. It’s been easier to put aside time before work and wake up to ensure I can put the time into it. My breaks at the library now are too short to properly spend time on it, but I’m hoping to get back into the habit of being a Lunch Break Novelist (or at least a Lunch Break Editor).

Time is funny like that. While it is infinite by definition, we’ve come to treat it as a rarity. If we don’t have hours to spend on something, we question if we’re really committed to it. The reality is that there are hours we can spend on something, but they’re very rarely all in one place. It’s all about piecing things together and making the time. Five minutes a day with a notebook and pencil can add up faster than you think.

Are you a Lunch Time Novelist? Where do you find or make the time to commit to your writing?

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