Lunch Time Novelist

Let’s be honest. Having a writing success land into your lap is unlikely. It takes effort, luck, and time, which are resources few people have in spades when it comes to starting their writing careers. So, the solution is to work while writing and hope for the big break to come along. I’ve often called myself a “lunch break novelist”, taking time on paid breaks to sneak in a little bit of creative time to up my word count (even if it’s a few frantically written ideas on a scrap paper that I’ll have to decode later). With all of the jobs I’ve worked, I’ve decided to go through them all and list the pros and cons of each of the jobs I’ve worked and determine which is the best for burning the Creative Oil.

  1. Library Assistant – Where better to work on writing than in a building surrounded by books! The quiet atmosphere, the literary osmosis from having so many books pass through your hands and a first person perspective on what people are checking in and out on a regular basis! Learn from the best and find new books to read regularly.
    Pros: Quiet space, lots of inspiration, people to talk books with, and access to just about research material you could need! And, unlike a bookstore, there’s very rarely an exchange of currency for people to get upset over.
    Cons: Breaks are often short, hours can be erratic, and weekends are often spent in the stacks. The timing isn’t ideal, but if you can start and stop the writing process easily, it’s not a bad fit. Keep a notebook on your person for ideas and new authors to read!
  2. Office Work/Data Entry – The truly romantic story of an artist wading their way through the corporate swamps is the classic tale for every new writer. The hours are pretty regular and you can plan your time accordingly. Most offices have a break room as well, which can give you a small space to work over the course of a lunch break.
    Pros: Regular Schedule that’s easy to plan around. Nights and weekends can be committed to creative endeavors. If you can find an isolated spot with your laptop, you can get a good chunk of writing done without distractions like internet or minor household chores.
    Cons: Soul sucking work that can be creatively stifling. Mindlessly pushing numbers around or doing basic procedural work can make the creative part of your brain lethargic and tired. Make sure it’s an office where you can leave the work at work and preserve the writing time for writing. Nothing worse than saying “Someday” over and over again until someday becomes yesterday.
  3. Dishwasher/Restaurant Worker – I’ve worked in quite a few restaurants and it’s always come with it’s fair share of characters! Customers and coworkers alike can make for some interesting character fodder.
    Pros: Easily separate work and creative time, lots of time to think about stories and get inspired, lots of social interaction for dialogue study.
    Cons: No real ‘Break Room’ (usually an over turned bucket in the back), hard to stop work to scribble down ideas, mostly working nights/weekends can be overwhelming very quickly when the dinner rush hits, physically exhausting.

So, while I don’t think there’s a “Best Job” for writers, I think that each job has its pros and cons. Personally, I can’t see myself working anywhere other than a library and I think that it’s the best fit. There might be some writers who prefer having the consistent schedule of a desk job or the fast-paced environment of a restaurant. Any number of jobs have factors that can make them good or bad, but since no two writers are the same, there is no perfect job for all writers.

If you’re a writer, what parts of your job encourage or encumber your creative process?

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