Lunch Time Novelist

Let’s be honest. Having a writing success land into your lap is unlikely. It takes effort, luck, and time, which are resources few people have in spades when it comes to starting their writing careers. So, the solution is to work while writing and hope for the big break to come along. I’ve often called myself a “lunch break novelist”, taking time on paid breaks to sneak in a little bit of creative time to up my word count (even if it’s a few frantically written ideas on a scrap paper that I’ll have to decode later). With all of the jobs I’ve worked, I’ve decided to go through them all and list the pros and cons of each of the jobs I’ve worked and determine which is the best for burning the Creative Oil.

  1. Library Assistant – Where better to work on writing than in a building surrounded by books! The quiet atmosphere, the literary osmosis from having so many books pass through your hands and a first person perspective on what people are checking in and out on a regular basis! Learn from the best and find new books to read regularly.
    Pros: Quiet space, lots of inspiration, people to talk books with, and access to just about research material you could need! And, unlike a bookstore, there’s very rarely an exchange of currency for people to get upset over.
    Cons: Breaks are often short, hours can be erratic, and weekends are often spent in the stacks. The timing isn’t ideal, but if you can start and stop the writing process easily, it’s not a bad fit. Keep a notebook on your person for ideas and new authors to read!
  2. Office Work/Data Entry – The truly romantic story of an artist wading their way through the corporate swamps is the classic tale for every new writer. The hours are pretty regular and you can plan your time accordingly. Most offices have a break room as well, which can give you a small space to work over the course of a lunch break.
    Pros: Regular Schedule that’s easy to plan around. Nights and weekends can be committed to creative endeavors. If you can find an isolated spot with your laptop, you can get a good chunk of writing done without distractions like internet or minor household chores.
    Cons: Soul sucking work that can be creatively stifling. Mindlessly pushing numbers around or doing basic procedural work can make the creative part of your brain lethargic and tired. Make sure it’s an office where you can leave the work at work and preserve the writing time for writing. Nothing worse than saying “Someday” over and over again until someday becomes yesterday.
  3. Dishwasher/Restaurant Worker – I’ve worked in quite a few restaurants and it’s always come with it’s fair share of characters! Customers and coworkers alike can make for some interesting character fodder.
    Pros: Easily separate work and creative time, lots of time to think about stories and get inspired, lots of social interaction for dialogue study.
    Cons: No real ‘Break Room’ (usually an over turned bucket in the back), hard to stop work to scribble down ideas, mostly working nights/weekends can be overwhelming very quickly when the dinner rush hits, physically exhausting.

So, while I don’t think there’s a “Best Job” for writers, I think that each job has its pros and cons. Personally, I can’t see myself working anywhere other than a library and I think that it’s the best fit. There might be some writers who prefer having the consistent schedule of a desk job or the fast-paced environment of a restaurant. Any number of jobs have factors that can make them good or bad, but since no two writers are the same, there is no perfect job for all writers.

If you’re a writer, what parts of your job encourage or encumber your creative process?

Marking the Way

I love a good map. I like looking at older maps or fantasy maps, working to understand the old roads, territories, and what was considered important to the cartographers of the day. How a place is illustrated and navigated can be as telling as any other artifact. When forests, roads, and cities can be so easily simplified, these places’ stories beg to be told. How did this town come to be? Why did they avoid this forest? What made this road necessary?

I know authors who will start their stories with a map. Sometimes it’s a map of a town or city, sometimes the entire world. Maps of real and fantastic places at the beginning of a book always make me a little bit giddy because that’s the first indicator that the writer has put time into their worldbuilding, which is a sign of a good story. Having a good map can really immerse your readers into a fantasy world as an artifact they can refer to.

I love starting with a map. I feel like just knowing the geography can help create the story. Are the characters sea-side folk, used to a cool breeze over sandy beaches? Are they from the far northern mountains, dressed in thick clothing to keep the chill and the cold away? Or are they from the far inland desert, forged in scorching sands and treating water as more precious than their gold? Here are a few of my thoughts on some of my favorite fantasy maps.

  1. Narnia – The Chronicles of Narnia, C.S. Lewis: From the humble Lamp Post to Cair Paravail, Narnia is rife with adventure. The major landmarks that will become familiar are easy to see and the locations are easy to find. Reading these a child, one can hop quickly from place to place, even recognizing the familiarity after thousands of years (or 20 if you pick up the books again after a very long time).

2. The Stillness – The Broken Earth Series, N.K. Jemisin: The first thing that really struck me about this map was the marking of plates. Knowing what little I did stepping in, it makes perfect sense that the maps of this world would care about the location of tectonic plates. It’s a simple thing, but it tells so much about the story. There are a few important cities marked, but most of the story takes place on the road, so knowing the major areas take precedence (and even then, more for understanding where people are from rather than where they are). As we learn where the characters are in relation to one another, the scale of the map really makes the journey that much more incredible.

3. Earthsea, The Wizard of Earthsea, Ursula K. LeGuin: Even in a land predominantly made of water, maps are crucial aspects of storytelling. When hopping from island to island, knowing the relative location can tell a reader so much about the area, the alliances, and distances between areas. Especially when you consider that clashing wind and water currents make for storms, all these islands can make for death traps when they constantly break against the islands.

4. Middle Earth, Lord of the Rings/The Hobbit, J.R.R. Tolkien: I wouldn’t be honest if I didn’t say that this probably inspired my love of maps. Like Narnia, it’s easy to track the journey of our heroic hobbits. Being able to see not only the kingdoms, but towns and cities within the kingdoms makes the battles easier to track. It’s east to feel the fear as the forces of Mordor press further into Gondor and threaten the Shire. And with so many adventures going on, it helps to see where all our heroes are throughout the series.

Maps are a powerful tool for enriching the story for readers. Maps add an element of reality that can bring the story to life and–quite literally–put you alongside the heroes in the tale. Knowing how close they are to danger can make the risk that much greater and seeing how close they are to their goals really makes the anticipation for success (and fear of failure) that much greater.

What’s your favorite fantasy map?

Creative Combat

Every so often, when the stars align and timezones aren’t an encumbrance, I like to do creative things with other creative people. Whether it’s a battle for word count, a goal setting challenge or just doing something creative with someone to keep you accountable, I have a few friends I know I can count on for Creative Combat! If you want to feel motivated, here’s how you can do your own!

Everyone has their own project and they don’t always line up. Everyone has a project they’re working on: writing, editing, drawing, knitting, whatever! Everyone sets a goal, either as a time goal or something more specific like word count or pages edited. One friend and I like to add stakes to our little combat sessions (nothing serious beyond having to make our loss public on Facebook or Twitter). Then, the work begins. It’s best to set a timeframe, if only to check in with each other at a certain point.

I’m not a normally competitive person. I’m usually a fan of collaboration which makes writing an interesting choice, due to its solitary nature. However, having motivation with another person–even without stakes–is such a huge factor in my productivity sometimes. It can be hard when you’re working alone, so having someone else to work with is important. Accountability can be so hard (it’s half the reason I started working on this blog), but having someone you promised to work with can make that work more valuable. Even if it just means you have someone to consistently work with and share your struggles with, it beats sitting alone at the computer trying to will the words onto the screen.

Just Finish!

I’m pretty sure I’ve talked about this before, but I am a firm believer in finishing projects. Recently, I’ve been struggling to finish a project I started working on earlier this year. There’ve been a few natural hiccups (including getting all four wisdom teeth out), but I feel like my writing has been something I’ve had to wrestle every morning to get it going. I don’t think it’s burn out, but let’s be honest, I think everyone is a little burnt out more these days considering it’s been over a year since March 2020 started and it still feels like we haven’t gotten into April yet.

Still, I’ve been doing my best to write something every day. I’ve been tempted to put it away and start something, but I really enjoy the characters I’m working with and want to give them justice. The easiest way to keep writing is to just finish a draft and remember that you’re going to fix the parts you don’t like later. I feel like my first draft is really an opportunity to explore the characters in a situation and figure out what they should do or want to do. My current problem is pacing, so I have plans to work with that frame of mind and try to fix it all later. If I only ever wrote when I knew I what I was doing? I doubt I’d ever truly get the the work done.

There’s a saying about “You can’t polish crap”. The problem with that is that it’s easier to polish crap than it is to polish nothing.

What do you think? Agree or Disagree? If a project isn’t working for you do you still try to finish it or do you find it better to shelve things and let them stew a little?

Plotting and Choices

A story’s core comes from the plot. Whether it’s a story about characters or a story about events, a true story begins with something happening. It can be as simple as a character has their wallet stolen or as complex as an attempted assassination of a young monarch. Even if the character doesn’t do anything beyond sitting at the kitchen table contemplating their lost wallet, it’s still a story instigated by something. If nothing happens in a story, there is no plot. So, where does plot come from?

For me, plot comes from conflict and breaking of usual patterns. It comes down to finding the one thing that can make the character’s day, week, or life worse and pulling at that thread. What they do from there becomes the plot. They could make allies or enemies, find a clue or get more lost, succeed or fail. The inciting incident is the plot, but the character’s choices are the story.

A good story has a “Try-Fail” cycle, where even if a character succeeds, they find their in a new circumstance. But the plot comes from the character trying, failing, trying again, and failing again until they succeed. Plot points are choices and their decisions and reactions create more plot points for them to choose between!

Recently, on my twitter, I started playing a Choose Your Own Adventure story that I wrote out. Combining the challenge of interesting choices and hyper-short format, I find that the most interesting thing is what people choose. Sometimes, it’s an undisputed agreement. Sometimes, people will lead one way or the other (requiring me to make a coin flip to decide where the story goes). It’s fun to think about how this is all spreading all the way that people naturally want to explore the space of a story.

What makes a good story for you? Does the character need to succeed after a certain number of tries or does the uncertainty make you want to keep reading? Is the hope of success enough to overpower the fear of failure?

New Years Words

Hello everyone!

First of all, I’m cautiously optimistic about this year. I spent a quiet night in so we can sneak up slowly on 2021 without scaring it off. As long as we don’t open any more mummy tombs, I think we got a good chance to enjoy this year! I normally like to take this time of the year to consider my goals as a writer and what I’m going to do to meet those goals.

First and foremost, I got the publishing itch again for sure! I learned a lot by self-publishing and hope to use that for all my future projects. It was a good experience and I definitely have that itch to send a book out into the world again. Whether that means another self-published book or something different, I’m still not sure, but I hope to write and create more as the year progresses. I got some stuff I’ve been working on, so I’m excited to keep working with it. I think this was the best possible time to try self-publishing, given the current situation of…everything. I have a ton of ideas and still want to keep shooting for traditional publishing, so I’m going to push for that as well.

I want to write and submit more short stories to magazines and things like that. I enjoy giving out little snippets of my writing for free here, but I’m hoping to grow my audience a bit more this year. As it stands, my current mailing list can be easily reached through my personal Facebook, so I’m planning on trying to increase my followers (or site traffic) a bit more. I have some things in the works on how to pull this off, but it’s going to be a constant goal through out 2021.

2020 was, in short, awful. That being said, I’m glad it’s in the rearview and I can start focusing more on the future. I’m in a better place than I was at the beginning of the year, so I hope to ride that momentum and encourage more creativity. My body has been so focused on survival for the past year that I want to get into a position where I can thrive. What are your 2021 goals?

Gifts for Writers

It’s the holiday season again and that means we’re all out looking for the best gifts for our loved ones, friends, and office Secret Santas. But you might find yourself having to buy a gift for the writer in your life. They have so many books and a perfectly good writing setup, but you want to get them something they could really use. So, here are a few suggestions for the writer in your life!

1) A Good Mug: I doubt there’s a writer alive who doesn’t run purely on tea or coffee at least 60% of the time. If you find a clever mug, they’ll think of you every time they use it! Find something from a show or book they love, find one with a good quote, or even put a picture of yourself…if your at that level of familiarity. A mug with your face on it isn’t usually the best choice for your coworker, unless you’re that friendly.

2) A Word Game: Scrabble, Bananagrams, Boggle, even word magnets can be fun ways to let the writer in your life engage their literary brain under the guise of a fun game! Trick them into the writing spirit in a fun way! Games are a great way to warm up the writer brain before sitting down for a writing sprint.

3) A Writing Class: There are a multitude of online courses about everything from crafting a story to fine tuning a novel! Offer to pay for a class for your writer. There are many online classes for all types of writing, so let them pick one out and offer to pay for it for them.

4) A Plant: Writing is a lonely game sometimes. Those of us who are luck can have the companionship of a cat or dog while we work. Those of us on slightly stricter budgets or in smaller living spaces don’t always have the luxury of animals as our companions. A good substitute? A plant! My plants usually hear my stories before anyone else and are a very receptive audience. You know your story is bad when the plant starts wilting while your reading.

5) Time: This one can be trickier. The biggest hurdle separating people from being writers is time! Between work, the kids, eating and just the day-to-day errands, it’s hard for some people to find or make the time for their art. Give your writer time! Have them pick a day and time of the week that’s their writing time and help them keep it! Take the kids out to the park during this time, do the errands that have been piling up, offer to cook dinner while they write.

Your writer will appreciate anything you get them that acknowledges their artistic pursuits. It shows that you care about their passions and want them to succeed! Support is a gift that many people overlook when doing their holiday shopping, so make sure your writer knows you believe in them with a great writing gift!

And, if none of these work out, what writer doesn’t want to add another fancy notebook to their hoard?

So…you wanna try Nanowrimo?

Well, after we’ve peeled off our Halloween costumes and before we start trying to figure out plans for the holidays, it’s that wonderful time of year called Nanowrimo!

Yes, Nanowrimo, where everyone tries to write a 50,000 word story while wrestling with imposter syndrome. Personally, I’ve finished Nano a handful of times in the past years. I’ve done it alone, I’ve done it with other writers and I’ve even convinced non-writer friends to participate in the past. For most people, it’s the equivalent of trying long-haul trucking after years of a twenty minute commute. And this year, you can do it too!

A few times in the past year, I’ve discussed the importance of finishing. I feel like–at it’s core–that’s the point of Nano. Not only is it a huge confidence boost for a writer (of any level) but it’s something you can use. Even if all you pull from Nano is a few sentences or a character or a place, that’s something that you didn’t have before. So, in the spirit of writing, here are a few times to get you excited and motivated about tackling the 50,000 word beast that is before you!

  1. Find your writing pack!
    Nothing makes writing easier than having a group of other writers to share victories and commiserate over difficulties together! It’s hard to get excited about creating when it’s such a solitary hobby (especially these days). So, get your pack together! Find a few friends and start a text thread to check-in with each other! Bolster each other up and get excited together!
  2. Write recklessly.
    For now? Forget all the rules of writing. Have a page and a half of exposition. Let your sentences run until you exhaust yourself. Use said as much as you like. Nanowrimo is about creation and getting the bones down! The editing will come later when you polish and clean up your words into what you want it to be. But, for now, the important part comes from finishing. Write recklessly and don’t look back!
  3. Commit to a schedule.
    These days, we’re on our own to figure out when and how to work. Pick a writing time and stick to it. Maybe you’ll take some time before work to hit your word count. Some people write better after work. I knew people who had one day a week during Nano that they would write all day. Find your time and stick with it!
  4. Don’t be afraid to jump around.
    You’re gonna get stuck. A lot. And that’s OK. Sometimes, in order to get your word count, it’s important to remember that you’re allowed to skip to different parts of your story. Got a fight scene you’re excited to put down? Maybe you thought of how you want to do the “Big Reveal”. It’s not always the easiest to do Timeline Gymnastics, but you don’t have to write chronologically. Nanowrimo is all about the end goal and banging your head against the keyboard for 500 words isn’t going to help if you have the idea for the next scene already there.
  5. Have fun and Don’t Panic!
    I won’t lie. You’re going to write crap. 50,000 words in a month doesn’t leave a ton of time to polish your work. So don’t worry about perfect for now. Enjoy the wild plot holes you’re gonna dig yourself into. Make your characters silly. Write bad sentences. That rush once you hit 50K is going to feel so good and you’re going to have a blast doing it.

So, remember: Nanowrimo is all about the creation. Fixing what you made is what comes later. Write recklessly and enjoy the process. It’ll motivate you to edit everything once you finish. And above all else: Have fun!

The Art of Finishing

So, recently, I just finished the first draft of my most recent project (sorry, no details yet). I decided to set myself a deadline to finish the draft by and I feel like adding that number to it made it a lot easier to commit an afternoon or whole day to working on it. It got me thinking about the hardest and most important part of the writing process is finishing!

I had a video chat with a friend the other day and they said they were impressed by how much I wrote since the beginning of the year. They’d been out of work for a bit and wanted to try their hand at writing, but couldn’t commit to a story long enough to finish it. It made me realize that the hardest part of writing is putting all (and I mean all) of the words on the page. As a serial idea-thinker, it’s very tempting to start writing a new thing when I start to lose enthusiasm for whatever I’m working on. New projects are exciting because they’re fun and different! I tend to get stuck working on projects because it starts to feel hopeless trying to make it work. Then, a shiny new project comes along and…well, it’s easy to get excited about a new idea.

But! The most satisfying part of writing is finishing because it gives you something to work with! You can’t fix an unfinished piece because…well, you don’t know what needs to be done. You can make a good beginning or middle, but with no ending? You’ll never feel like the piece is done (for obvious reasons). It seems pretty elementary, but it’s still worth saying.

You can always fix a terrible piece of writing, but you can’t fix it if it’s not finished. You can always change the ending, but it’s hard to fix things when you know there’s a huge, very important part missing. So finish and finish horribly. You know you’re going to have to edit, so just commit to know you’ll need to edit. Write down those new, pretty ideas when they come and remember that you’ll have to finish that too.

Do you struggle with finishing projects? Or are you good about maintaining your focus on a single idea?

Closing Chapters

This is a bit of a hard one to write. After almost 5 years in Seattle, I’m afraid that I’m leaving the city. Whether or not this will be my last time living here or not, I don’t know for sure. Regardless, this feels a bit like the close of a big chapter of my life, so I wanted to reflect on that a little here. So, this is equal parts update and journaling.

I came out to Seattle on–almost–a whim. I had just wrapped up Graduate School and wanted to try something very different from small town New England life. I wasn’t sure what I was looking for in the city, but the only way I could describe it was “an adventure.” The only person I knew out here was my second-cousin, so it was about as far from my comfort zone as I could go.

Since moving out here, I’ve lived in three different apartments of various sizes, worked four different jobs and made countless friends. I really came into my own when it came to my asexuality, my independence, and ability to improvise in difficult situations. I started playing Dungeons and Dragons. I (basically) learned how to cook. I really applied myself to my writing and my photography. I had my first serious relationship out here (I don’t know if that ties more into my asexuality or moving, but it’s included in this chapter for the sake of the chronology). I self-published my first book. There were some difficulties along the way, for sure. Being on the other side of the country from a majority of my family was difficult and I had to learn a few lessons the hard way. I was working multiple jobs to make rent (sometimes going 14 or 15 hour days to make everything balance) and none of them were really fulfilling or satisfying by the end.

It’s been a ride of ups and downs. Some of my friends I made within a couple weeks of moving out here and I still see them on a weekly basis to this day. I’ve made some really great connections here and I’ll keep those after I leave. I learned a lot of skills, both professional and personal. I learned a lot about myself and discovered the boundaries that I need to work on for myself.

I don’t know what the next step is now. It’s a bizarre and wild time to move, so most of my efforts has been focused on moving. When I get to my next step, I’ll decide then, but I know that my writing will stay constant. Right now, my writing has been a rock in all the confusion of the world right now. I feel like creating is my therapy and my writing has always been what brings me the most peace.

I move at the end of the week with a very early flight and, as sad as I am to leave the city behind, I’m excited to see what happens next.

If you haven’t yet, go and pick up a copy of Found Mysteries: The Rebirth of Violet Franklin and Other Tales. It’s been doing pretty well so far and it’s been exciting every time I hear someone else has read it.