Tag: Writing Life

My Favorite Books That Are Nothing Like My Book!

To say “There are so many great books out there!” feels like an understatement! What feels more accurate to say is that there are so many different types of books out there! Last time, I went through some of my favorite “Hidden World” books, but this time around, I decided to talk about my favorite books with plots that are nothing like Blanc LaBelle and the Troll’s Daughter! Consider this my official recommendation for things to read while you’re waiting for the release on May 12th!

  • Old Man’s War – John Scalzi:
    This one always sticks out to me when the person who recommended it to me described it as “The only war book to make me cry”. I feel that it holds very true, but it’s also just very well written and smart science fiction. John Scalzi sticks out as one of my favorite science fiction authors because in addition to being scientifically sound (if you’re willing to stretch your belief a little), he also writes very funny books! The whole series is great, but Old Man’s War sticks out to me because it was so different from anything else I’d read!
  • The Princess Bride – William Goldman
    Both a favorite book and my all time favorite movie (and yes, I know they’re very different). This was actually a book that the librarian would read aloud to classes when I was in elementary school (I feel like it was…5th grade we got to read this one?). There’s a lot of positive memories in the words of this classic fantasy. Whether you believe in “mawage” or if you’re more a fan of “The Zoo of Death”, this is definitely one I recommend over and over again.
  • Tigana – Guy Gavriel Kay
    This one is the book I say is my “favorite” when people ask. The way that’s written is so smooth and lyrical. Despite being a fantasy book, it’s also very heavily a political intrigue. Stories like that very rarely catch my interest, but the way this book was written really spoke to me. The magic system was so vivid and the characters are so interesting even when they divert into their separate arcs.
  • Cloud Atlas – David Mitchell
    This one I put on the list because it’s so hard to describe in a simple way. I read this one a while back and it stuck with me for having such an original form. Each section is written so differently and yet they all connect so smoothly. David Mitchell is one of the most unique writers I’ve encountered and I think this is a great introduction to his style.
  • Andy Weir – Project Hail Mary
    Before anyone says it, I know there’s a movie, but I have not seen it yet. Andy Weir really sticks out to me as an author because I feel like he’s one of the few science fiction writers that forces a “suspension of belief” when discussing real-world science. His interpretation of alien life in this story is far and away (pun intended) some of the most interesting descriptions of extraterrestrials. In addition to being good science fiction, it’s an incredible story about two “best friends” and a real “found family” story by the end.

Have you read any of these books? Do you have any favorites that you always recommend to people?

Consider adding these to your TBR!

On Trolls

Mira is not like most trolls. She’s only half-troll, after all, but she’s also different compared to most contemporary depictions. Her clan doesn’t necessarily shun the sunlight or live under bridges, but there are some who fit the brutish stereotype we’ve come to accept today.

Working on this book, obviously, I knew that trolls were going to be an integral group to sort out: from their laws to their biology. From Lord of the Rings to Dungeons and Dragons, trolls have made their way comfortably into modern media. They’re often seen as dim, ugly brutes with only an interest in destruction. I wanted slightly different trolls and did a lot of exploration. They are most popular in Scandinavian folklore, mixed in with Giants and Fiends (often used interchangeably). There are no set rules: there are some stories where they aren’t even villains as we’ve come to expect.

Here’s a few of my favorite stories that I stumbled across in my research.

The Troll’s Daughter:
Believe it or not, this one I found after I had started writing the story. The story goes that a young man is traveling, looking to make his new life. He’s offered a job by a stranger on the road, offering increasing amounts of money once a year for three years. The stranger turns out to be a troll and king of the woods. The troll has the young man work by feeding the animals in his menagerie, allowing him spend his free time in the form of various animals including a hare and a raven. While swimming as a fish, the young man meets a beautiful woman. She tells him she is the troll’s daughter and helps him trick the troll into letting them marry. With the Troll King defeated, all the animals are released and the new young couple have a vibrant forest kingdom to rule over.

Heddal Stave Church Troll:
According to local legend, Heddal Stave Church was built by a troll. Five farmers wanted to build the church and a stranger approached saying he would build the church. His conditions demanded that the farmers do one of three things before the church was finished: the farmers had to guess the stranger’s name before he was finished or he would kill them. They agreed, but the stranger worked quickly and was prepared to finish by the third day. While trying to think of the stranger’s name, one of the farmers– Raud–heard a mountain troll woman singing a song to her baby about her husband. She revealed the troll’s name in her song and Raud addressed the troll by name the day of the deadline. Some stories say that the troll family ran away (despising the sound of church bells) and others say that Finn is still there, turned to stone and holding up one of the pillars.

The Hall of the Mountain King:
The powerhouse musical number actually comes from Peer Gynt (Henrick Ibsen’s opera) is the theme for a great troll king who haunts Peer’s nightmares. Peer, intent on become the heir to the troll kingdom, comes demanding the hand of the king’s daughter in marriage. The Mountain King agrees as long as Peer agrees to live as a troll. When things get too real (including the removal of Peer’s eyes), Peer learns that he actually can’t back out anymore. The sequence ends when Peer is set upon by the Mountain Kings subjects and he wakes up.

Three Billy Goats Gruff:
This is probably where your mind goes to when you think of prominent troll stories. It’s a pretty basic story: there’s a troll that lives under a bridge and threatens to eat anyone who goes across his bridge. The first goat asks him to wait for the next, saying that his brother is close behind and will be a more filling meal. The second goat says the same, offering an even more filling meal with his brother coming behind him. Turns out, the third billy goat gruff was a bit more than this troll can chew. The biggest goat isn’t afraid of the troll and challenges him, ultimately killing the troll so no one is eaten by him again.

These are just a few of the fun stories I’ve found in my research. By diving into the folklore and mythology, you can see the influences that these classic stories in our contemporary depictions of trolls. Find out more about the trolls in the Blanc LaBelle universe on May 12th, 2026 when I release Blanc LaBelle and the Troll’s Daughter.

Hidden World Fantasy Books

I am a huge fan of hidden world books. Living in Seattle for a while, there were so many places I would visit that felt like they were hiding more than I could see. The 24-Hour Diner had it’s secrets to be certain, labyrinthine bookstores at Pike’s Place contained hidden entrances to somewhere, and local landmarks held hidden stories that only those who knew would tell. The thought of magic, monsters, and more just beneath the surface of our world intrigued me enough that I eventually started creating my own, the Under and the Fold, hidden in plain sight.

There is no shortage of hidden world books, so here is a brief (very brief) collection of some of my favorites that stuck with me.

  • Nightwatch – Sergei Lukyanenko: This is probably one of the closest one-to-one hidden worlds I’ve been able to track down. Sorcerers, vampires, and curses are all in plain sight in contemporary Moscow. Cellphones and computers are used alongside magic and shapeshifting all headed by a secret organization that fights to keep the balance between the magical and the mundane. It’s a bit more grim-dark than the Hedgefield, but it’s probably one of my favorite hidden world stories.
  • Ninth House – Leigh Bardugo: Set in New Haven Connecticut, this is another story where the few know about the fantastical. There are fewer monsters, but plenty of magic to make up for it. The city as a backdrop to the spectacular feels very clear here. Again, we have secret organizations maintaining the balance between those who use spells and rituals and those who do not. Lethe House works very similarly to Blanc LaBelle and his allies: just trying to keep peace with mixed results.
  • The City We Became – N.K. Jemisin: This is probably the most literal ‘Hidden City’ on this list. The city itself becomes a character (multiple characters, actually, but you’ll have to read it). The city is a part of the magic and each district offers a different kind of power to it’s user. LaBelle is a foundation figure in Hedgefield, but he knows the city better for it. The places, while not hidden, have a much deeper influence in the magical sense.
  • Jonathan Strange & Mr. Norrel – Susanna Clarke: This one is more fitting for a historical fantasy, set in the 1800s rather than a modern setting. Magic is real, but only a very select few (our titular friends) have access to it at the time of the setting. There are spirits, mischievous and monstrous, that coexist with the magicians and slink in the shadows of mortals. The intersection between men and magic is another major theme that I cover in the Blanc LaBelle series (for better and for worse).

What are some of your favorite hidden world stories? Do you love a magical school hidden from human eyes or do you prefer the magic to be right under your nose?

Your next Hidden World love could well be in the universe of Blanc LaBelle and the Troll’s Daughter, available May 12, 2026!

An Intermission

So, a couple of changes will be coming up in the near future. I’ve got some things in the works, so there will be some things changing priority.

This will be the last scheduled “Blog Post” for a while. I feel like I don’t have enough happening with my writing/publishing journey to justify having a super regular post. I get anxious about repeating ideas or reposting old blog posts. This means the first Sunday of the month will no longer be regular posts. When ideas come up, I’ll probably create a blog post, but I’m running out of ideas to keep up with a monthly Non-Fiction post. I’ll continue doing monthly fiction, both as a way to keep the blog active and give myself the motivation to keep writing even when I run out of ideas. I’m hoping that having this be the primary focus of my time outside of work will mean more quality writing to continue providing to you for free.

Secondly, like many other people, I’ll be closing down my Twitter. I no longer use it and it’s frankly not really bringing in a ton of traffic. If you only follow me there, please consider signing up for my newsletter or following my page on Facebook!

Piecing Together

Every writer–no matter where they are in their writing journey–has a Trunk Book. It’s a story you started when you weren’t ready and had to give up. A story you wrote that never quite came together or a series of ideas you didn’t know how to connect beyond a few scenes and a loose plot. Maybe time got the better of you, or a busy schedule determined that your story would be put on hold, or perhaps you just lost steam about it and moved on to another idea. The Lost Characters, the Abandoned Quests, and the Snippets of Dialogue that you loved all linger together in the bottom of a trunk: digital, physical, or mental.

Personally, I have a particular file on my computer that I call the Graveyard: projects that didn’t quite pan out, short things I wrote in high school, and things that just never settled quite right for whatever reason. Sometimes, like a literary corpse snatcher, I go back to old projects and do a bit of grave robbing to piece together old ideas into something new. I have found myself revisiting this folder a lot recently.

The question that hits me again and again is “What needs to be fixed?” before I can do anything with it. Is it the tone of the story? Does a character not have enough motivation or do their actions seem inconsistent? Who or what would be needed to drive the story forward and what is stagnant that doesn’t seem to fit the pace? Answering these questions help me decide what to do with these old cadavers of story. Some stay in the Graveyard to age a bit, but some seem ripe enough to try and resurrect.

I am, admittedly, guilty of Email Writing a Novel. While working desk jobs–stuck behind a computer with shifting workflow–I would often send emails to myself. When an idea hit me that was remotely more interesting than another spreadsheet or company email, I would email my personal email what was on my mind. Trapped behind a desk, I built gateways to my own adventures. I uncovered an old email thread I had written and decided to tackle it again.

The most important thing about Graveyards or Trunk Books is that it doesn’t destroy things that didn’t work at the time. It saves them so they can percolate in a safe place without constantly trying to fix what’s broken. The most important part of writing is–unsurprisingly–writing. If you’re stuck in a Trunk Book, sometimes it’s healthy to set it aside until you’re ready to stitch together a new monster. Hopefully, your results will be more beneficial than Dr. Frankenstein’s body building.

Expert Insight

I have recently been doing some job shadowing. I’m looking to find work that is fulfilling and gratifying in a similar way to writing while still allowing time for it. Talking with people I know who are well-versed in their fields has gotten me thinking about one of the most important aspects of researching for writing: Experts.

Whether you’re writing non-fiction that is purely factual or a fantasy just barely clinging to aspects of our reality, having the correct view of things is essential to making your writing more realistic. I keep an active list of people I consider experts in everything. Whether they’re long-time professionals or experienced hobbyists, I like to keep track of what my friends consider themselves experts in. An element of realism is important so the audience of a story feels connected. I have friends who are photographers, veterinarians, horse handlers, gardeners, and crafters of all sorts. If I ever decide to include elements of these in a story, I find it better to research on my own and ask questions of these experts in my life.

Shadowing also gives an opportunity to collect important sensory details. All the information in the world is fantastic to bring reality to your writing, but it is equally as crucial to get your reader into the place you’re experiencing. I’ve started keeping a small notebook with me to write down sensory experiences in places I visit. The smell of a horse barn, the sounds of the forest, the feel of soft soil in one’s hands, and the visuals of an active surgery are all fantastic ways to add reality to your writing. Humans are naturally observant, even if we aren’t consciously doing it. Think of somewhere you go every day: your office, your favorite coffee shop, your friend’s house. What do you see when you think of it? What sounds do you associate with it? Any smells that come to mind? Imagine that level of detail in your writing, not just creating a visual snapshot, but adding more realism to the reality you created.

Try writing a description of a room that you’re in without being there (using as many of your senses as possible). Read your description later. What did you include? What did you leave out? Rewrite it again and revisit it in a month. When you can start to create a vivid picture of this place, start doing it with other places.

Now, see if you have a friend who you consider an expert. Ask them over for coffee or a drink and ask them about their expertise! People love talking about things they love, so use this as an opportunity to become a mini-expert in a new field! Learn something new and try writing about their day. Now try working it into a narrative! You’ll find that you can create more realistic worlds in arenas you were previously a novice at. It doesn’t have to be technically perfect, but it can appear very real!

New Beginnings

Here we are again! Another year in which we try to find ways to improve ourselves across the spectrum. New skills to learn, new commitments to ourselves, and new beginnings to the year. Sometimes, they see us through to the end of the year; other times, not so much. Either way, I think it’s healthy to look back on the year and try to figure out where we can use improvement or even just to take stock and see if we’re where we want to be in our lives. The last few years have certainly been full of challenges and changes, but also a lot of things that have improved us (or perhaps are still in the course of improving us). Whatever the circumstances, I always like to try and put some goals down in order to fully take advantage of the year, especially when it comes to my writing. So, here are my Writer’s Resolutions for 2023:

Write for 1 Hour Every Day: I have, admittedly, slipped a little bit in the past few months. I’ve gone through some pretty drastic changes in my work life and part of me is still recovering from the ricochet of all that. Still, going into 2023, I’m feeling more comfortable about that situation and I’m ready to start committing my time more intentionally. I want to get back to writing at the same interval every day. My old schedule doesn’t quite fit with my new routine, but I’m trying to carve out time to work on my writing more diligently and keep that consistent every day (the easiest way to form a habit is repetition). I want to make that time sacred and keep to it as much as I would to any work schedule.

Submit Once A Week: The easiest way to win at poker is when you’re holding all the cards. Granted, that’s not how poker is supposed to be played, but the metaphor stands. I want to regularly and diligently query my novel and submit my short fiction to magazines, etc. I blame this falling off on a number of factors, but won’t go into that. The point is, I need to do more to get my work seen and read if I want it to go anywhere. So I want to submit more of what I write rather than let it simmer in my hard drive while running off of hope. You can only win if you play.

Find a Writing Group: This one is one I should have done a while ago, but with the state of things when I moved back, it got more and more difficult to make that happen. I would like to find a group of individuals who also write. This would be partly to talk shop, but also to share victories and commiserate on the challenges. Writing classes and workshops are great to work on your craft, but there’s the emotional aspect of things that a lot of non-writers don’t fully appreciate. Having that built-in support network of people who are also working on telling stories would be a tremendous help to getting that social aspect of writing life back on track.

So, there you have it. Three, solid, actionable goals for 2023. It will require some discipline on my part, but I think there’s a way to make it all come together in the end. More goals will probably come up as the year progresses, but there’s never a bad time to start thinking ahead and getting things in order. Do you have any goals for the coming year?

The Sound of Rushing Deadlines

Douglas Adams once said “I love deadlines. I like the whooshing sound they make as they fly by.” This sentiment feels no truer than when you first try to tackle a large project in a designated timeframe. And so, once again, we find ourselves nearly a week into Nanowrimo (or National Novel Writing Month, for those who aren’t in the know). For many, it’s a first foray into the world of intensive novel writing. For others, it’s a familiar kick in the pants to deal with the project they’ve been putting off doing (present company included). As such, I feel it’s important to discuss how to handle writing deadlines without wanting to pull all your hair out. As the days wind down to the final day of November, 

  1. Small chunks
    50,000 words sounds like a lot because it is! Can you think of 50,000 of anything you have on hand? Maybe you have a massive coin collection, or a hearty storage of raisins, or maybe just a bunch of small, pretty rocks. Regardless, picturing 50,000 of any of these things really puts the number into perspective! It is, after all, the minimum word count for a standard novel (and it’s not National Short Story Writing Month–that’s in May). 2,000 of something, however, is a bit more manageable to picture. 2,000 pennies is more than a handful, but you can still count them out with an end in sight. Making your goal something manageable by the deadline is a much easier–and healthier–way of looking at it. Spread it out into smaller chunks and you’ll feel a little less like you’re drowning in word debt. 
  2. Find a Partner
    Accountability is 9/10ths of the battle! It’s easy to tell yourself that you will catch up soon, but can you look in the eyes of a trusted friend and lie to them the same way? Better yet, you and a friend can have Writing Blocks together! I do these with friends from time to time. Often, we’ll do them with fairly low stakes involved (usually an admission of failure over social media or something similar). Working alone together makes the process feel a bit less isolated when you’re working your way through a particularly challenging writing slog. Furthermore, having someone to work with gives you someone to bounce ideas off of during breaks (or even just talking about what you want to have happen next to think about how to get there). 
  3. Keep a Schedule 
    Know thyself! If you know that coming home from work or school leaves you exhausted and vegetative, find a better time to write. I loved having lunchbreak writing sessions, but I also have an appreciation for the quiet mornings with just my words and a cup of hot tea. Additionally, setting aside time to think about your story can save time when you’re at your manuscript. Everyone knows your best ideas come when you’re not working on a thing, so keep a small notebook and spend some time to think through novel problems (in the shower, commuting, cooking, exercising or anywhere else you can spare a few brain cells to mull over your plot). Then, refer to your notebook during your designated writing time! Spend less time thinking about what you’re going to write and just put it to the page! 
  4. It’s OK to Play Catch Up
    An important thing to remember is that life happens. Doctor’s appointments show up. Work gets overwhelming. Time spent recovering is as valuable as time spent working. All that is to say, it’s OK to fall behind. You can settle in on a day off and really commit to playing some catch up. As daunting as, say 6,000 words may look at first, if you give yourself a good block of time to work it out, you can get into the grove and tackle it all at once. Your small chunks might not be the smallest at times, but if you can put aside a day to work on it, you’ll get there in no time. You don’t want to save it all for the last minute, but things pop up in life. 
  5. You’re Allowed to Change Deadlines
    OK, this is really only true if you have the luxury of setting your own deadlines, but sometimes you need to extend deadlines. With Nanowrimo especially, goals change. Maybe your 50,000 word story is gonna need to be 60,000…or 100,000! 50,000 words in 30 days is really just the first goal. It can be–and is–a flexible thing that changes as time goes on. Don’t restrain yourself to just 50,000 words or just 30 days if you think you can improve with more words and more time! The challenge isn’t set in stone. 

Nanowrimo is often a great kick in the pants for starting (or finishing) a project you’ve had rattling around in your brain for a while. If it’s your first, third, or five hundredth time trying to hit a big deadline like this, it’s meant to be for fun! Write your story as best you can and when you do, prepare yourself for NanoWriMoEdYe (National Novel Writing Month Editing Year (or years)). 

Bookish Movies

Working in a library, I often find myself asking “The Book or The Movie?” more often than other other arena. With my friends I can usually tell if they mean the movie or the book, but working in a library has made me realize just how many movies based on books or writing there really are. I’ve started getting into the habit of borrowing one book related movie for every other kind of movie I borrow. I’ve decided that any book or writing related movie can be put into one of three categories.

  1. Adaptations:
    These are the most common ones that come up. This is basically any movie that has a book or written version of it somewhere. Increasingly, the trend seems to be for Hollywood to make movie adaptations of books (and even short stories) rather than taking a risk on a story that has no previous following. These are probably the most popular version of Bookish-Movie: Jurassic Park, IT, Ready Player One, or any number of YA trilogies that make the bestseller list.
    Now, naturally, just because they’re popular doesn’t mean they’re necessarily good. These days, every fan of the book approaches even the trailer of a book adaptation with a certain amount of cautious hope. The true test is often how ‘faithful’ the book is to the movie. Major plot overhauls, forgotten characters or overlooked thematic elements, or movies that only take the title and not much else. Sometimes, regardless of an authors involvement, the ‘faithfulness’ of the movie comes down to the studios. These are the most accessible, but also most prone to disappointment.
  2. Books about Writers:
    These are stories where a writer is the main character. Rather than a biopic (discussed next), this tends to focus specifically on the writer and their struggles with the creative process. There can be a lot of crossover in this regard (writers seem to enjoy making their characters writers, since it’s something they understand). The Words is a good example of this, focusing on a writer’s struggle to be seen by the publishing industry and the risks he’s willing to take to ‘make it’.
    These are often overdramatized. No one would want to watch a man struggling in front of his computer for two hours, trying to figure out how to make a paragraph flow better. Still, these can sometimes be uplifting movies when an author gets to take his work to the world and they get recognition they deserve.
  3. Author Biopics:
    The last category is movies about specific writers. These are movies that can be hyper realistic documentaries, like Salinger, or they can be dramatized versions of an author’s life, such as Tolkien. These can be sad at times, seeing all the struggles a person goes through (especially dramatized for Hollywood) can be difficult. Still, learning the histories of writers and seeing how it relates to their writing can be interesting. In addition to the story of the author, these movies also tend to reveal a lot of the story of the book. Knowing the lives of our favorite creators can help us appreciate their stories even more.

What are some of your favorite bookish movies?