Tag: Writing Life

The Hunt for an Agent Author

Well, here we are again. Once more, I’m at the starting line for a query letter. Definitely a lot of emotions coming up around this experience, but I know I need to do it. I wanted to talk a little bit about the agent hunting process of trying to find someone who you think will be a good fit for your work.

If the act of writing is pure creation, then the process of finding an agent is like an endless job hunt. The tried and true method is the query letter that you’ll send to agents before sending them a full manuscript. The point of a query letter is similar to a cover letter or resume. It tells the agent a bit about who you are, what your project is about, and why they should read your story. It helps to include books that are like yours, but I always have to rattle my brain to remember any books I’ve read.

It’s daunting in some ways, but like anything, it gets easier with practice and time. I’ve learned to develop a kind of ‘It Is What It Is” mentality when getting rejections from agents, but it’s never a fun thing. Due to the sheer volume, form letters are pretty common responses and they’re never very detailed. Still, I try to approach submitting like a gamble that improves your odds with more entries. The more queries you send out the more likely someone will take an interest in your project. It’s a numbers game and no one really likes those games. Still, there’s always that magical one.

Query writing could easily be an entire semester’s worth of college courses and there’s no formula to do it. Even if there was a formula, agents would no doubt hate the formula after reading seventeen a day. Trying to make yourself stand out isn’t easy, but it’s a worthwhile endeavor in the end. I try to think of it as writing it for a friend and that lessens the pressure a bit. Still, it’s intimidating to feel like you’re presenting yourself to a gatekeeper towards publication. All that can be done is write, rinse, and repeat.

What’s your experience with query letters? Is it something you ever learned how to do or wanted to do?

The Mini-Writing Retreat

For the last few months, I’ve been trying to think of ways to go on a writing retreat. It sounds quite appealing: arrive at a picturesque location, enjoy some shop talk with other storytellers, maybe hear an inspiring lecture, then buckle down with some well-deserved writing time! Whether it’s three days, a week, or more, the prospect of being in a self-imposed creative exile certainly sounds like the path of a true artist. Sadly, that’s not always available. Even three days is a long time when you don’t have the resources. Even if you can sacrifice a whole weekend for a writing retreat, you still might feel compelled to do errands, not to mention that you’d have to be able to easily seclude yourself from the day-to-day if you can’t afford to physically distance yourself from the distractions you love. These past few weekends, I started doing Mini-Writing Retreats. While the romantic notion of going away for weeks at a time locked in the struggles of creating is not feasible for me at the moment, I can usually find an open day in my weekly schedule. So, I’ve started committing myself to my writing time again. If you’re interested in creating a Mini-Writing Retreat for yourself, here’s how mine usually goes down.  

Before: The days before I like to take care of things like food shopping, cleaning, and other little chores that might distract me. If I have the time to make a few meals I’ll do that and make sure the dishwasher is empty. Nothing throws off your rhythm like the temptation of something you “have to get done.” Plan out your meals and a couple of snacks so you don’t drift over to the fridge every five minutes to browse (and if you’re like me, grab something sweet to look forward to at the end of the day). Prepare to go social media dark for the day of, to ensure that all your distractions are limited, if not completely gone! 

Day of:
5:30- Wake up. I know some of you are already rolling your eyes, but trust me. The silence of the very early morning is the best time to get in the mindset. Make yourself a pot of tea or coffee, make some breakfast (not just cereal), and enjoy a bit of relaxation before the retreat truly begins.  

6:00-8:00- Writing. Recently, I’ve been doing a lot of editing, but commit some time to your work in progress. Actual work, not just mood boards or Spotify playlists. Put on some meditative music or something else instrumental to help set the writing mood if that helps.  

8:00-9:30- Break and Walk. I like to get some steps in and let my brain work out any story problems I might encounter in those first hours’ worth of work. There’s a trail near my apartment that takes a little over an hour to make a loop of, so I’ll do that followed by a shower and getting dressed in real clothes (sweatpants are only acceptable for so long, even if you don’t plan to leave the house).  

9:30-1:00 Writing. Get back to it! This is why you’re here!  

1:00-2:00 Lunch. Break out one of those premade meals and sit with it away from your writing space. Let your mind relax a bit and give yourself a proper lunch break. Some light reading is suggested or even a quick writing lecture on YouTube to further inspire you. Set a timer, though. Can’t fall too far down the black hole. 

2:00-5:00 Writing, writing, writing! 

5:00-5:30 dinner. Pop out another pre-made meal and give yourself a quick dinner break to mull over your last few story problems.  

5:30-7:00 Last Writing Sprint. Wrap up whatever you’re working on.  

I usually like to wind down afterward with a nice, sweet treat and a movie. After all, you just worked a full day!  Congratulate yourself on an excellent writing retreat and start thinking about when you’re gonna do your next!  Have you ever given yourself a Mini-Writing Retreat? Have you ever been on a professionally hosted writing retreat?  

The TBR

If you’re any kind of bookworm, you probably have a TBR Pile: The To Be Read Pile. The endless waterfall of books that you are going to read soon. Maybe it’s a list on your phone. Maybe it’s a section of your bookshelf. Maybe it’s a literal pile on your nightstand, looming overhead until you finally read a few to reduce the risk of the tower toppling over and smothering you in the night. Maybe your TBR Pile is all of your bookshelves.

You can probably guess which one is mine.

I’ve been in a bit of a reading slump these last couple of weeks, but I’m hoping to get back into the swing of reading regularly again. So, in the spirit of that, I decided that this time I’m gonna be posting some of my current TBR Pile to maybe keep me accountable to finally reading some of them! So, here’s a sampling of my current TBR Pile that I’m hoping to work through in the future.

  1. The Way of Kings – Brandon Sanders
  2. The Sword of Shannara – Terry Brooks
  3. The Lies of Locke Lamora – Scott Lynch
  4. Catch-22 – Joseph Heller
  5. What the Dog Saw – Malcolm Gladwell
  6. The Thousand Autumns of Jacob de Zoet – David Mitchell
  7. A Natural History of Dragons: A Memoir of Lady Trent – Marie Brennan
  8. Darwin’s Radio – Greg Bear
  9. The Aeronaut’s Winglass – Jim Butcher
  10. Armada – Ernest Cline

Alright, hopefully that’ll be some motivation for me to actually read through some of these! I’ve put a moratorium on buy new books until I get through some of my current ones, but I also work at a library, so getting my hands on those materials would be less challenging than it used to be (I’ve got my eye on Kaiju Preservation Society by Scalzi, but I’m holding off for right now).

What books are on your TBR Pile? Do you have a real pile near your bed or is your pile somewhere else?

The Lunch Break Novelist

When I was working for a court reporting company, I called myself a Lunch Break Novelist. Each day, on my breaks and lunch, I would eat quickly and the break out my laptop to get some writing done while on my lunch break. On a good day, I could polish off a solid 700 words that I was satisfied with before having to head back to my desk. I’d spend time first thing in the morning and pick up right where I left off on my lunch and again when I got home. Some days were better than others, but I was usually able to come up with something by the end of the day.

One thing I see a lot when I talk with non-writers is “I just don’t have the time” as a popular excuse. The reality is that there’s always time. Five minutes here, thirty minutes there, another twenty at the end of the day–it adds up quicker than a lot of people realize. Yes, every writer would love to have the experience of getting into the flow state and write thousands of words over the course of the day, but that almost never happens (even with all the time in the world).

As I transition into working more hours at the library, I’ve been working on finding the time through out the course of the day. I’ve been practicing the idea of “Showing Up” rather than making a scheduled commitment. Rather than over exerting myself to get to a word count every day, I’ve been trying to get more into the mind set of putting time to it. It’s been easier to put aside time before work and wake up to ensure I can put the time into it. My breaks at the library now are too short to properly spend time on it, but I’m hoping to get back into the habit of being a Lunch Break Novelist (or at least a Lunch Break Editor).

Time is funny like that. While it is infinite by definition, we’ve come to treat it as a rarity. If we don’t have hours to spend on something, we question if we’re really committed to it. The reality is that there are hours we can spend on something, but they’re very rarely all in one place. It’s all about piecing things together and making the time. Five minutes a day with a notebook and pencil can add up faster than you think.

Are you a Lunch Time Novelist? Where do you find or make the time to commit to your writing?

Reflecting on 2021

Once more, we’re rolling into the new year. To say that it’s been a rollercoaster feels like an understatement. So much has happened, both good and bad, but it’s been a year of growth.

Going into 2022, I’m trying to figure out exactly what my next big project is going to be. I know I want to keep writing, submitting, and working with other writers. It’s hard to set these goals early in the year because the last few years have made it clear that I can never be truly prepared for what the next year brings. The only things I can control are my habits, my time, and my writing. So, I think there are a few things that are going to happen this year:

First, I plan on submitting two times every month. After the September Submission Scramble, I realized that I can submit very easily before or after work, so I can’t really use that as an excuse anymore. In response to that, I’m going to be submitting two times every month (one short story submission and one novel submission).

Secondly, I’m going to try and have one large project that I’m gonna be working on in my off hours. I don’t have any big ideas yet, but I’m hoping that something will come when the holiday haze wears off (we really shouldn’t be required to do any work for December, honestly. How much work are you supposed to get done?) Recently, it feels like a lot of my stories have been stronger as snippets or scenes rather than whole stories, so I need to be better about refining the work into something cohesive.

Thirdly, I’ll be doing a lot of editing. I don’t wanna give anything away, but I have an idea I want to try and tackle and need some time to make it worthwhile. It’s been harder for me to focus on larger projects when it feels like I’m writing something new every day. I’m hoping a single project to unify everything will help me retain my focus and give me a through line rather than trying to pick up snippets over the course of a few days. I don’t know if this will translate to a schedule or deadlines, but I need to be smarter about the time I do spend away from the library desk. Hopefully, this will culminate in some more exciting stuff for the end of the year (or next year).

2020 was wild and 2021 felt like the aftershocks of an endless earthquake. I’d like to say that I hope 2022 will be better, but we can’t know for sure. Instead, I can only take hold of what I can control and focus on that to the best of my ability.

What are your goals for 2022, writing or otherwise?

After The Submission Scramble and Looking Forward

It has been a busy month! I recently moved and have been working a fair bit. Some of you may remember that I also undertook a project I was calling “The September Submission Scramble”. I’m proud to say that I finished and succeeded! Many magazine submissions, agent queries and contest entries later, I feel like I finished a lot over the course of the past month. I also feel like I was much more active.

The easiest way to win a card game is by holding most of the deck, right? Yes, technically, that’s not how you play cards, but you see my point? I feel like with submissions, you need to jump in if you want to play. I’ve always known that writing takes a surprising amount of luck, but the odds are better when you have a bigger sample size. The work I’ve been putting into this past month has been rewarding. It only takes ten minutes to get a query sent out, so I’ll probably be sending out a lot more of them. I highly recommend every writer try this. Pick a month and commit to submitting your poems, short fiction, novels, everything to anyone you think might publish it. The biggest problem is the fear of rejection, but I’m bracing myself for it.

That being said, I’m working on trying to figure out what the next month holds. Maybe some new short fiction to submit around or some more editing of older pieces. I’m half tempted to do Nanowrimo this year just to get the draft of something new out. Either way, I feel like I’m being a lot more active. Even if the choices I made this month were bad choices, at least I made them. I’m looking forward for what’s to come!

The Superb September Submission Scramble!

Be honest, you really opened this one for the alliteration, didn’t you?

Yes, friends, believe it or not, we have made it to September. The slow drudge of March 2020 has finally made it to September of 2021. I regret to say that my writing has had to take a back seat to a few things: a new job, finding a new apartment, and working on my mental and physical health. It’s been a busy time these past few months and my writing has suffered because of that. Not that I haven’t been writing or editing–I’ve been doing that almost daily since we were first told to stay home to help other people. But the work you never share never sees the light of day. Yes, I’m talking about submitting.

Whether your submitting a short story, flash fiction, or a novel, the process of submitting your work is daunting. It’s one thing to post my short little fiction pieces here so that people can get a taste of my writing, but presenting my work to an agent or editor with the sole purpose of them deciding if the piece’s worth? It’s terrifying! That being said, the easiest way to win at poker is to hold as many cards as you can. I know that’s against the rules, but that’s the thought behind the September Submission Scramble.

Every day this month, I will submit one thing to an agent, magazine or contest. I have a long backlog of things that have been rejected and edited, but I so rarely send them out for round two. Why? Fear, maybe. But that’s the point of the Scramble: submit with reckless abandon. If you get a rejection, I tell myself, you’re no worse off than if you don’t submit. If someone bites, you put your effort into it. So, I’m in the act of submitting as much as I can over the next month. Rejections, Acceptance, or Non-Responses: when there’s only three options? It doesn’t feel so bad. Try, Fail, Try Again, and Fail Better.

If you write, how are your submissions going? We’re entering magazine season again, so if anyone wants to join on, let me know! Part of the Scramble is to encourage each other to try.

The Editing Game

Earlier this month, I decided I wanted to take another crack at submitting my novel to agents and publishers, which means I’m back at editing again! With that in mind, I decided I wanted to share a few of my usual editing tricks for anyone who is working on Self-Editing their current projects!

  1. Read to an Audience:
    This is probably my favorite recent editing trick I’ve had the chance to use. Reading out loud makes sure you read and hear every word in a sentence just a first time reader will interpret it. It can also be a good time to get some positive reinforcement. We aren’t all lucky enough to have a captivated audience on hand, so feel free to use whatever is available. Do you have a pet? They’ll love the attention. A plant? Plants do grow better when you talk to them. Rubber Duck? Well, at least it won’t tell you that you’re a hack! (Though it might say you’re a quack.) Currently, I’m using my owl egg-timer that doubles as my Writing-Spring timer (his name is Ap-owl-o…I’m not taking notes).
  2. Highlight the Lines You Like, Not Just the Errors:
    It’s good to have some positive notes when going through your manuscript. Whenever I’m in a workshop, I’ll point out the lines of dialogue or prose that I really like so the notes I give aren’t just critiques. The same has since been applied to my own editing to give Future-Nick something to look forward to. It also helps remind me that there is a reason I love the story so much.
  3. Editing Somewhere Other Than Where You Write:
    A change in scenery can often be great for writing, but it’s also really good for editing. I write at the same spot every day, but editing requires a different mindset in order to do it effectively. I will edit on the couch, so that I can have a different set of eyes while editing. It’s almost like going to a different office to work out a problem rather than looking at the same four walls. Granted, I have a view of my editing space from my writing space, but it’s different enough that I’ll be able to put myself in a better mindset.
  4. Give Yourself A Deadline:
    Like any sort of “Working From Home” experience, it can be easy to give yourself abstract deadlines and set things aside for too long. Procrastination, after all, is a form of perfectionism and that’s what writing is all about. Instead, I make sure a date to have my editing done by so that I can be ready when it comes. More often than not, giving myself a deadline encourages me to finish a project early rather than stretch it out until the last minute. It’s easier to finish things if you plan things in advance.

What are some of your favorite self-editing tricks and tips?

Lunch Time Novelist

Let’s be honest. Having a writing success land into your lap is unlikely. It takes effort, luck, and time, which are resources few people have in spades when it comes to starting their writing careers. So, the solution is to work while writing and hope for the big break to come along. I’ve often called myself a “lunch break novelist”, taking time on paid breaks to sneak in a little bit of creative time to up my word count (even if it’s a few frantically written ideas on a scrap paper that I’ll have to decode later). With all of the jobs I’ve worked, I’ve decided to go through them all and list the pros and cons of each of the jobs I’ve worked and determine which is the best for burning the Creative Oil.

  1. Library Assistant – Where better to work on writing than in a building surrounded by books! The quiet atmosphere, the literary osmosis from having so many books pass through your hands and a first person perspective on what people are checking in and out on a regular basis! Learn from the best and find new books to read regularly.
    Pros: Quiet space, lots of inspiration, people to talk books with, and access to just about research material you could need! And, unlike a bookstore, there’s very rarely an exchange of currency for people to get upset over.
    Cons: Breaks are often short, hours can be erratic, and weekends are often spent in the stacks. The timing isn’t ideal, but if you can start and stop the writing process easily, it’s not a bad fit. Keep a notebook on your person for ideas and new authors to read!
  2. Office Work/Data Entry – The truly romantic story of an artist wading their way through the corporate swamps is the classic tale for every new writer. The hours are pretty regular and you can plan your time accordingly. Most offices have a break room as well, which can give you a small space to work over the course of a lunch break.
    Pros: Regular Schedule that’s easy to plan around. Nights and weekends can be committed to creative endeavors. If you can find an isolated spot with your laptop, you can get a good chunk of writing done without distractions like internet or minor household chores.
    Cons: Soul sucking work that can be creatively stifling. Mindlessly pushing numbers around or doing basic procedural work can make the creative part of your brain lethargic and tired. Make sure it’s an office where you can leave the work at work and preserve the writing time for writing. Nothing worse than saying “Someday” over and over again until someday becomes yesterday.
  3. Dishwasher/Restaurant Worker – I’ve worked in quite a few restaurants and it’s always come with it’s fair share of characters! Customers and coworkers alike can make for some interesting character fodder.
    Pros: Easily separate work and creative time, lots of time to think about stories and get inspired, lots of social interaction for dialogue study.
    Cons: No real ‘Break Room’ (usually an over turned bucket in the back), hard to stop work to scribble down ideas, mostly working nights/weekends can be overwhelming very quickly when the dinner rush hits, physically exhausting.

So, while I don’t think there’s a “Best Job” for writers, I think that each job has its pros and cons. Personally, I can’t see myself working anywhere other than a library and I think that it’s the best fit. There might be some writers who prefer having the consistent schedule of a desk job or the fast-paced environment of a restaurant. Any number of jobs have factors that can make them good or bad, but since no two writers are the same, there is no perfect job for all writers.

If you’re a writer, what parts of your job encourage or encumber your creative process?

Creative Combat

Every so often, when the stars align and timezones aren’t an encumbrance, I like to do creative things with other creative people. Whether it’s a battle for word count, a goal setting challenge or just doing something creative with someone to keep you accountable, I have a few friends I know I can count on for Creative Combat! If you want to feel motivated, here’s how you can do your own!

Everyone has their own project and they don’t always line up. Everyone has a project they’re working on: writing, editing, drawing, knitting, whatever! Everyone sets a goal, either as a time goal or something more specific like word count or pages edited. One friend and I like to add stakes to our little combat sessions (nothing serious beyond having to make our loss public on Facebook or Twitter). Then, the work begins. It’s best to set a timeframe, if only to check in with each other at a certain point.

I’m not a normally competitive person. I’m usually a fan of collaboration which makes writing an interesting choice, due to its solitary nature. However, having motivation with another person–even without stakes–is such a huge factor in my productivity sometimes. It can be hard when you’re working alone, so having someone else to work with is important. Accountability can be so hard (it’s half the reason I started working on this blog), but having someone you promised to work with can make that work more valuable. Even if it just means you have someone to consistently work with and share your struggles with, it beats sitting alone at the computer trying to will the words onto the screen.