Tag: writing

Of Sins, Virtues and Humors

Whenever I start a new piece of fiction and start experimenting with the characters, I tend to try to think of a few different defining factors. Obviously these get modified as I go deeper into the characterization process, but I don’t always want my characters to be carbon copies of each other. So when I start to think about who they are I try to decide three things: their humor, their virtue and their sin.

Whether it’s the Ninja Turtles, The A-Team or the gals of Sex in the City, the four humors are cornerstones of any ensemble. They’re different enough that they sometimes get at each others throats, but at the end of the day they all need each other to be balanced. The Four Humors as a medical practice is outdated and inaccurate, but the idea of using the temperaments represented by these humors is a practical method to make sure that your ensemble is well balanced. While having a group comprised of “No-Rules Anti-Heroes” sounds fun, it gets a little stale when there isn’t a more rational, moral brain to try and balance their habits out. Facing off against the Big Bad is good conflict, but fighting within the group is a good chance for character growth.

Is your character charitable? Are they kind? The less popular cousin of the Seven Deadly Sins, the Seven Principle Virtues are a good starting point for defining your character. These often coincide (to an extent) with the humors above, but it’s nice to figure out what your character tries for. Even villains believe they’re doing things for the right reasons, so why shouldn’t your hero have a defining trait that drives them?

And, on the other side of the coin, each character I make tries to incorporate a sin. No one is perfect, nor should your characters have to be. Maybe your Anti-Hero has a problem with Wrath. Your great hunter takes their reputation a little too seriously and suffers from pride. Figuring out the fault that your character has creates conflict not only within the group, but within the character. It gives them something to overcome or something to hinder them on their journey.

With these building blocks in place, you can start to flush out your character by asking ‘Why?’ rather than ‘What?’. These help you to ask more questions and ultimately find the characters in an organic way.

What do you look for in a character? Where do you start?

Burnout Recovery

Man this month, I tell ya.

After a thorough (counts on hands) three weeks of being understaffed and overworked, the day job really starts getting to you. When I’m not on my feet, most of my time is going to writing or errands (with the occasional bout of D&D mixed in for flavor). I’ll be very glad when this month is over and things make sense again. But I’m still trying to keep dedicated to my writing work.

Writing while combatting burnout is, to say the least, stressful. But I find myself doing a lot of plotting/planning while riding the bus or during my almost daily run. Sometimes though, I need to step away from the keyboard and lay on my couch, letting my mind wander.

Tea helps a lot. I find a great deal of relaxation in the actual tea making process. It’s a very sensory process: the smell of tea, the milk spiraling in as it mixes or honey dripping down into the mug, the sound of the boiling water, the warmth that fills the cup and (of course) the taste. It gives me a break to stop focusing on what I’m working on a difficult scene because I focus on the process. And then, once it’s finished, I have a nice cup of something hot to regain my focus.

Burnout happens. A lot. Writing is a very solitary profession and it’s not like you can pass it off to someone else and take a break. So, it’s important to say “Five Minute Break” when you’re fighting a scene. But it’s even more important to come back recharged for round two when you’ve finished making your tea. Just don’t forget it’s there. Nothing worse than cold tea.

Getting Motivated!

I hate alarm clocks. I hate the sounds they make. I hate the “Is it snoozed or is it off?” uncertainty. I hate how they always seem to go off right as you’re getting to a good part in your dream. But, I’ve recently decided to embrace my alarm clock and let it be my ally in my writing (so far, it’s an uneasy alliance but has promise for strong relations).

These last few days/weeks have been kind of rough. Work has been extra stressful and things have been kind of tricky to work out in other areas. My writing, sadly, has suffered because of this. So, I’ve decided to try a new approach. Screw inspiration, embrace the motivation and dedication. There are a few things that I’ve done in the past and will continue to do to make this a reality.

Firstly, I need a schedule again. This has been an issue for me in the past. I get flustered through out the week with a sporadic work schedule and weird morning shifts. So, I’m going to start using my time more efficiently. The blue is the time that I set aside for writing task: Querying Agents, working on a new project and writing blog posts (like this one here). It’s mostly and an attempt to stay in the mode of writing. Doing it first thing in the morning means I won’t be out of energy to do it when I come home at 6:30 or 8:00 at night. By making this schedule and keeping it, I’ll be able to establish a better sense of dedication to my work by sectioning off time at the beginning of the day to write something. I’m using iCal, but Google Calendars and other free apps are also good options.

The next big struggle is motivation. I find that seeing my progress is really helpful. Part of what makes Nanowrimo work really well for me is the accountability and daily goals that make is so much easier. A friend recently recommended the site Pacemaker (pacemaker.press) for developing and keeping a Writing Plan. You put in your goal, your timeframe, your pace preferences and it helps develop daily goals for you to aim for with writing (or any other goal). You can upload these goals directly into your calendar and update the site as you go along. As you can see, it’s pretty hit and miss for me (last month in particular, but yesterday was a great day).

Any art is a matter of habit. The more you do it, the better you get, the easier it is. The problem is waiting for inspiration, for those beautiful moments when the words come pouring out in a string of eloquence and elegance. But that only happens about 10% of the time you sit down to write. If you’re lucky. So, screw inspiration. If it comes it comes, but it’s up to the artist to be waiting for it when it arrives.

The Art of the Start

One of the parts I struggle with when writing is how to begin. Whether it’s the first line of a book, a chapter or a paragraph, it’s your first opportunity to reel in the reader and it doesn’t last long. Some writers are very specific about the details and ideas in their work before they ever sit to set pen to paper. I am much more of an organic writer, or a Gardening Writer accord to George R.R. Martin (though, in fairness, I’m also a writer who enjoys a bit of gardening). The problem with this is sometimes in the beginning. Personally, I have a few methods of going about my writing process in terms of where I want to story to begin. So, here are a few suggestions for those of you who don’t know where to begin your story.

  1. An Event- “It was autumn when the murders started.”
    Kicking right off into the action is especially helpful if you have a high octane thriller or a mystery on your hands! Why wait to jump right into the action if that’s what you know is going to be your point of focus? It doesn’t have to be something driven by action either. A festival at an old market, a coronation of the new king, the launch of a space ship or the grand opening of a new power plant. Events can be a good opportunity to show the setting in action. Not just as a backdrop, but as a living thing.
  2. A Character- “Agatha was the last witch that Jennifer wanted as her tutor.”
    Let’s be honest, characters are the heart of the story. Whether your character is smart, sassy, sarcastic or solemn, you enjoy writing their dialogue, asking yourself what they would do next as their character. Even starting with some snappy dialogue between two characters is a good way to establish a quick report with the reader before they even know these characters very well. Let your characters do the work for you.
  3. A Description- “The torchlight burned slowly, casting elongated shadows against the walls.”
    Not always my favorite (and probably not a whole chapter’s worth of material), but sometimes the situation calls for it. If you want your plot to be gradually increased over time, a description as your start can be helpful to set the scene. If your world is complex and unfamiliar to most readers, having this can be a good moment to establish a few “ground rules” for a fantasy or alien world. Use this sparingly though and try to combine it with introducing a character. Readers want action, even if that action is something as simple as a man preparing a cup of coffee. Or a murder. Whichever fits your story best.

What’s your favorite opening line? Dickens? Melville? Rowling? Leave your favorite one below!